The sax solo following the first chorus is gone, but there’s way more sax in the second chorus. There’s no delay on Gilmour’s vocal, much the same as when you could hear this during the studio segments of the Pompeii film. The album version is 7:49 but this one is just 5:26. This runs right into a “rare alternative version” of Us And Them, which is noticeably different. The reprise fades out before the vocals start. It is kinda fun to be able to better hear Gilmour’s rhythm guitar flourishes. There’s less backing vocals, no saxophone solo or guitar solo - just space where they used to be. The Rototom intro is a little longer in this alt version. The regular album version is 6:53, this one is 6:03. I hate to tell you this, but it’s not that different. Then you’ve got Time/Breathe (Reprise) - Ultra Rare Alternative Version. You’ve heard this before, it’s just a three-minute clip from the film Pink Floyd At Pompeii of Roger dicking around with a VCS3. The track called On The Run (demo version) is not. Let’s be clear, there are probably dozens of really cool ways to remix these songs, but this ain’t one of them. Who the hell even asked for this? The other is “everyone’s least favourite song on Dark Side Of The Moon” - Any Colour You Like, which actually works a bit better but is very, very disco. It’s just five tracks - two are “trance remixes.” One of Speak To Me/Breathe, which seems haphazard and just doesn’t work. There’s some interesting stuff to be heard, but first let’s examine this so-called Alternative Tracks playlist. So, enjoy these concerts while they’re available. Judging from the generic artwork and repetition, this is nothing more than a move by “ Pink Floyd Music” to keep its copyrights alive and out of the grubby hands of other distributors. So, what’s happening here? Are Roger Waters, Dave Gilmour and Nick Mason pouring some Pimms and deciding to reward their fans with goodies? Not so much. That last one was what got me most excited, but it’s mostly bullshit. Last year it was a pile of unreleased concerts - now gone - and this year, there are suddenly 18 live performances from 1972 available, plus one short playlist of alternative tracks. The not-so-jolly Old Pink left a pile of goodies in everyone’s streaming stockings again, in what’s becoming an annual event. I left a plate of pie with no crust out for Santa Floyd last night and was dutifully rewarded.